What kind of persian rug do i have

Dog — Protection, Trust, Defense. Parrot — Escaping from danger, Protection. Duck, Swan — Marital Fertility, Enchantment. Bird — Faith, Fertility. Snake — Guardian, Wisdom. Chicken, Rooster — Protection from evil eye.

Man — Depiction of weaver in rug. Camel — Wealth, Prosperity. What determines the value of a rug? Knot Count: the more knots per square inch, the more valuable the rug. Design: the more intricate the design, the more valuable the rug. Hand — Prayer Rug. Cross — Faith. Comb — Cleanliness. Tulip — Prosperity.

Peony — Power. Peacock — Immortality. Eagle — Power. Dragon — Power. Location: between Isfahan and Tehran is the large city of Kashan. Much like Kerman, we place Kashan amongst the village rugs, due to the level of quality being associated with the city pieces.

In terms of rugs, they're considered 'village' rugs. Kashan has been famous for its textiles and pottery for many years. The city was a key spot for trading and as a resting place along the silk road. Design: when you think of a traditional 'Persian rug' it is often the red Kashan that springs to mind.

Floral in design, with reds and navy blues. The other popular Kashan colours are creams and pistachio green. They come both with central medallions and all-over designs no medallion. Mashad is the most 'holy' city in Iran. Design: mostly traditional reds and navy in colour. Usually always featuring a central medallion. Design: Moud rugs use the 'Herati' pattern, which is a flower inside a rhomb, surrounded by four ancanthus-leaves.

The leaves resembles fishes. Moud rugs come both with central medallions, and in all-over designs without the medallion. Location: in the western part of Iran - the province of Kurdistan. Today the capital city is called Sanandaj, but it used to be known as Senneh.

Design: fine designs and elegant patterns. The colours are usually dark blue and reds. In Senneh they weave both rugs with a pile, as well as Senneh Kilims flatweaves.

Their design is recognisable and unique. Design: geometric patterns, with the use of red and blue colours mostly. The most well-known design is to have squared medallions in the center.

Design: The old Bakhtiyar designs are usually designed with the Khesti, which is the garden motif. However, many simply contain animals and plants that are symbolic of the Persian garden. Known to be one of the most durable of all Persian rugs due to the wool from that particular area being thick and fairy solid.

Location: The Baluchi tribes live in the area that borders Iran and Afghanistan. Baluch has become known as a general term for smaller tribes that consistent of nomads from different places across Iran. Along with rug weaving, they also farm agriculture and sheep raising mainly.

Design: due to the location, you can draw parallels between the original Afghan rugs and Turkman rugs. This is both in the geometric designs and the deep, rich colours featured burgundy reds, navy, black. Baluch rug designs are really representative of the Persian nomadic weaving style, and have a real feeling of true authenticity and craft.

Also spelt Gabba. Design: traditionally Gabbeh rugs were made as sleeping rugs. They are tightly woven, with a thick, very cosy, pile.

They the most plain and simple of all Persian rugs, with little to no pattern. Gabbeh rugs are much thicker than all other types of Persian rugs, with a pile of around 7mm as compared with mm in most rugs. The word 'Gabbeh' has Persian connotations as raw, natural and uncut. Location: the Qashqai nomads are from the Fars province in the southwest of Iran. They move around once or twice a year - in the winter near the Persian Gulf and in the summer up in the Zagros mountains as it's cooler.

Design: typically Qashqai rugs are deeper in colours, usuing reds, browns, burgundy as the base colour. The pattern is weaved completely from memory and from things that have inspired the nomads on their travels, such as wildlife and nature. You'll see a lot of four legged animals, birds and trees on Qashqai rugs. Though sometimes they contain cotton. Do reach out if you'd like some information on any of these type of Persian rugs.

If you should see on the back of the rug that the fringes have been sewn on, then in all probability it is not a genuine oriental rug. A genuine Oriental or Persian carpet has no sewn-on fringes. Backside of a Sarough Persian rug with a typical knot structure. On the back of a carpet you can see the single knots, provided the carpet was knotted and not woven.

The knots give experts a deep insight into the knotting method, the fineness, the effort and the quality of a carpet. As said before, hand-knotted rugs are never flawless. This can be seen particularly well at the knots. Irregularities and minor faults are absolutely normal on the reverse side of Oriental rugs - including Persian rugs.

If each row of knots on the reverse side is regular and free of defects, it is a machine-made carpet. In particular, traditional oriental carpets consist purely of natural material such as sheep's wool, cotton, camel hair or pure silk. The surface the pile is usually made of sheep's wool, while the back the warp is often made of cotton or sheep's wool. Very high quality carpets are made completely from natural silk, which can be recognized by its beautiful sheen.

Machine-made carpets can also be made of wool, but often they are at least partly made of synthetic fibres. Especially on the back side, savings are made and cheap material is used. If you find a synthetic reverse side of the carpet, it is an industrially manufactured carpet.

The knot density is used to determine the fineness of a rug. You can imagine the knot density as the resolution of a screen. The more knots a carpet has, the more details and the more beautiful are the elaborations. However, this also requires considerably more effort, skill and time in knotting. Therefore, it also serves to identify particularly high-quality Persian carpets.

Here you find all information about measuring and estimating the knot density. The knot density can be used to identify a high-quality carpet. In addition to the knot density, the pile height, i. The thinner a hand-knotted carpet, the higher its quality.