Who said this by his voice must be a montague

O, she doth teach the torches to burn bright! It seems she hangs upon the cheek of night. Like a rich jewel in an Ethiope's ear;. Beauty too rich for use, for earth too dear.

So shows a snowy dove trooping with crows,. As yonder lady o'er her fellows shows. The measure done, I'll watch her place of stand. And, touching hers, make blessed my rude hand. Did my heart love till now? Forswear it, sight,. For I ne'er saw true beauty till this night. This, by his voice, should be a Montague. Fetch me my rapier , boy. What, dares the slave. Come hither , cover'd with an antic face ,.

To fleer and scorn at our solemnity? Now, by the stock and honour of my kin,. To strike him dead I hold it not a sin. Why, how now, kinsman, wherefore storm you so? Uncle, this is a Montague, our foe,. A villain that is hither come in spite,. To scorn at our solemnity this night.

Young Romeo is it? Content thee, gentle coz , let him alone;. He bears him like a portly gentleman;. And, to say truth, Verona brags of him. To be a virtuous and well-govern'd youth. I would not for the wealth of all this town. Here in my house do him disparagement. Therefore be patient, take no note of him. It is my will, the which if thou respect,. Show a fair presence and put off these frowns,. An ill-beseeming semblance for a feast. It fits, when such a villain is a guest.

I'll not endure him. He shall be endured. What, goodman boy! I say, he shall. Go to. Am I the master here, or you? You'll not endure him! You'll make a mutiny among my guests! She also points out that placing their hands together, palm to palm, is like kissing. They pray: grant thou, lest faith turn to despair. He kisses her. Thus from my lips, by thine, my sin is purged.

Romeo says "game on. She tells him as much, and he suggests they do with their lips what they're doing with their palms. He kisses her and says that as a result, his sin is taken away. O trespass sweetly urged! Juliet points out that the sin is now on her lips, and Romeo offers to take it back. With another kiss, of course. Juliet jokes that Romeo kisses methodically, as in he's very good at coming up with reasons to steal kisses from her.

Clever lad. Juliet moves toward her mother. I nursed her daughter that you talked withal. I tell you, he that can lay hold of her Shall have the chinks. Nurse moves away. Juliet's nurse interrupts them and sends Juliet away, and Romeo asks her the name of the girl he's been kissing. The Nurse says she's Lady Capulet's daughter, obviously, and whoever marries her will be incredibly wealthy.

O dear account! Romeo is clearly bummed. And feels like his life is now in the hands of his enemy, which—being a Capulet—Juliet is. Why then, I thank you all. I thank you, honest gentlemen. Good night. Benvolio tells Romeo it's time to go, the party has reached its climax. Popular pages: Romeo and Juliet. Take a Study Break. Original Text. Modern Text. Now, by the stock and honor of my kin, To strike him dead I hold it not a sin.

Wherefore storm you so? This will be conveyed through a detailed analysis of Tybalt, Capulet and Friar Lawrence. Although admirable qualities add to one's life, they can often lead to their death. In Shakespeare's. While secondary characters are undersized, compared to the main characters of the play, they often have an eminent impact on the story. In Shakespeare's play, Romeo and Juliet we are introduced to Tybalt, a fiery and prideful. More than years after it was written, the play Romeo and Juliet remains to be one of few literary works in which the characters it contains are still analyzed.

Shakespeare integrates multiple functions for each character, most which fall below the superficial role of the character. In Romeo and Juliet, Shakespeare uses the character Benvolio not only as a confidant to Romeo, but also as a rational voice of reasoning to Romeo and giver of advice to him, a general peacemaker, and a problem. I am going to be analysing act 3, scene 1, concentrating on how Shakespeare makes this scene dramatic and how it is pivotal in terms of the plays key themes and events.

Prior to this scene we have witnessed the rivalry between the two leading families, Capulet and Montague and the hostility they hold towards one another.

More importantly, Mercutio functions as the catalyst for the pattern of disasters in the play that follows.